
In the few minutes shown of the clip 'Deja Vu', sailors and passengers are boarding a ship whilst a curious man checks on the vehicles parked. After a few seconds, he realises that the passengers and himself are in danger as there is a bomb on board. Already too late to alert others, the bomb blows up and sends people jumping to their safety in the deep sea.
The clip beings with the sound of a piano playing whilst white titles move across the screen on a plain black background creating suspense as the audience are unaware of what is to come. The editing of a jump-cut to a shot of houses is shown with more titles moving across the screen. A transition of 'whoosh' is then used to change the shot to a group of smiling women walking, whilst a diegetic sound of people cheering is played.
An editing of a still shot which is blurred is then shown whilst more white titles are printed, this creates suspension for the audience as they may assume this represents disruption which is to due come.
The suspension is continued as both diegetic (people cheering) and non-diegetic (the soundtrack) sounds are played yet they contrast each other which also represents a coming disruption.
The camera's slow panning across a big group of people, awaiting to board a ship, with the non-diegetic sound getting faster, makes the atmosphere more exciting yet creates suspension for the audience. Also The camera shakes whilst doing so, which puts the audience in the position to experience what these passengers may have to experience.
The editing of slow motion is used as the passengers happily run to aboard the ship, this creates tension and alerts the audience that the happiness may not last for a while. As no 'hints' have been given to the audience to know why this may take place, they are left unknown of what is to come.
There are many sailors wearing white costumes which may represent peace or pure which contrasts with the atmosphere being made with the 'gloomy' soundtrack and the continuous parallel editing.
Suspension for the audience is increased massively when a 'false plateau' is used. This is when a false imagery is created in order for the audience to have an artificial thought. In the clip, a little girl drops a doll into the water and cries 'mama'; the audience assume the doll is real and gasp. The 'splash' of the connection of the doll hitting the water, is

emphasised which also increases the suspension for the audience, but this is where the object is revealed as a doll; calming the audience down.
Many camera-works are used after, such as close ups on the facial expressions of thrilled children and talking mothers, long shots to reveal who is boarded on the ship and bird's eye angle shots to show what the scene looks like from afar.
As a diegetic sound of the trumpets playing 'When The Saints Go Marching In' is used, montage shots of different people smiling are shown to create a peaceful atmosphere. This also creates suspension, as the ship beings to depart and into the helpless sea.
A close up on a man smoking is shown who suddenly turns to look over at a car, which is then shown at a zoomed-in shot. Diegetic sounds are produced from the car whilst dialogue of the captain talking is heard. What makes this shot tensed is the facial expression of confusion of the man, who is alone. He plays close attention to this particular car, and whilst he walks close to it, the handheld camera follows closely behind.
Parallel editing is continuously used to contrast the bliss of the passengers and the concern of this man, dressed in luminous yellow; making him stand out. Whilst the camera zooms in on the passengers to reveal how happy they are, the camera zooms out when the man is searching for the car, and tracks to follow him from behind other cars. Suspension is created as it suggests the audience should stay away as the man is approaching danger,
but what is the danger?Suspension is built up as more parallel editing of the other passengers is shown as well as where the ship is. As the ship is in the middle of the sea, it is more possible that an action, which the audience have been waiting for, will take place. Yet, the audience are left in confusion, as more shots of happy families are shown at close ups to emphasis their emotions, or could it be, to emphasis they're clueless to what is going on?
The audience are more thrilled at the thought that they are the only people who possibly know what is going on at both ends of the scenes.
The editing of the match-cut shown from the man, to a car with no number plate, back to the man and then to a close up of devices in the boot of the car,
finally 
demonstrates what the audience awaited for -
A BOMB!The diegetic sound of a beeping noise puts more pressure on the audience as they wait for the explosion to take place. Just as the CGI's of the explosion takes place, the music sings 'Don't Worry' contrasting with what is actually taking place. The suspension of the audience is broken, however, they are more petrified for all the passengers who were delighted to be on board and for those who are shown at a close up shot, jumping into the sea - where the doll fell into.
Christel Manitou - AA04489